Work the 53-57-59-65-69-75 stitches on the front piece in the same way as the back piece. Allow the stitches to remain on the needle and work the front piece. the English rib pattern starts and ends with 1 purled English rib stitch) and finish with 1 stitch in garter stitch.Ĭontinue this pattern back and forth for 10-10-11-12-13-14 cm, measured along the garter stitch make sure the last row is from the wrong side. Work as follows from the right side: 1 stitch in garter stitch, A.4 (= 2 stitches) until there is 1 stitch left (i.e. Now continue the armholes and back piece, working back and forth.Īllow the other stitches to remain on the needle. Work 26-28-28-32-34-36 stitches in English rib, 1 stitch in GARTER STITCH – read description above (= half back piece), cast off the next 13 stitches (yarn overs are cast off as separate stitches), 1 stitch in garter stitch, work 51-55-57-63-67-73 stitches in English rib, 1 stitch in garter stitch (= front piece), cast off the next 13 stitches (yarn overs are cast off as separate stitches), work 1 stitch in garter stitch and English rib over the last 25-27-29-31-33-37 stitches. Now divide the piece for front and back pieces and the shoulder stitches are cast off as follows: measured along the shoulder) adjust so the next round is purled. Work A.1a over all stitches until the piece measures 24-25-25-25-26-26 cm at the longest point (i.e. continue to increase every 6th round, the increased stitches are worked in English rib. When A.2 and A.3 have been completed 1 time in height, repeat A.2a and A.3a onwards i.e. When A.1 has been completed 1 time in height, repeat A.1a onwards. Work pattern as follows: A.1 (= 2 stitches) over the first 6-6-6-8-8-8 stitches (= half back piece), A.2 (= 2 stitches), A.1 over 12 stitches, A.3 (= 2 stitches = shoulder), A.1 over 10-10-12-14-14-16 stitches (= front piece), A.2 over 2 stitches, A.1 over 12 stitches, A.3 over 2 stitches (= shoulder) and A.1 over the last 4-4-6-6-6-8 stitches (= half back piece). Purl 1 round, purl 1 more round and decrease 10 stitches evenly spaced – read DECREASE TIP = 52-52-56-60-60-64 stitches. The pieces are rejoined and the body continued in the round.Ĭast on 62-62-66-70-70-74 stitches with circular needle size 6 mm and Air. Stiches are increased for the shoulders before the piece is divided and the front and pieces worked separately as far as the bottom of the armholes. The neck and yoke are worked in the round with circular needle from mid back, top down. In this example decrease by purling each 5th and 6th stitch together. 62 stitches) and divide by number of decreases to be made (e.g.
#Ab nordiska piano how to#
To work out how to decrease evenly, count the total number of stitches on needle (e.g. See diagrams A.1 to A.4 (worked with English rib). RIDGE/GARTER STITCH (worked back and forth): Yarn usage using an alternative yarn – Use our yarn converter here Yarn Groups A to F – Use the same pattern and change the yarn here
Knitting tension – See how to measure it and why hereĪlternative Yarn – See how to change yarns here If you get too few stitches on 10 cm, change to a smaller needle size. If you get too many stitches on 10 cm, change to a larger needle size. Using ten of Palladio's piano nobile (main floor) plans from I Quattro Libri Dell'Architettura as cases, this paper develops mathematical data to test three hypotheses framed around Palladio's plans and theories.DROPS AIR from Garnstudio (belongs to yarn group C)Ģ00-200-250-250-300-300 g colour 03, pearl greyġ1 stitches in width and 32 rows in height with English rib = 10 x 10 cm.ĭROPS CIRCULAR NEEDLE SIZE 7 MM: Length 40 cm and 80 cm for English rib.ĭROPS CIRCULAR NEEDLE SIZE 6 MM: Length 40 cm for neck. Specifically, this paper uses a computational method – the justified plan graph (JPG) – to test two arguments about the location and significance of the primary salon on the plan, and a third about the extent to which the rooms in Palladio's plans are, as he claims, flexible enough to contain alternative functions. In contrast, this paper examines three of Palladio's arguments about his villas plans which relate to their spatial properties and topological connections. The majority of past research about Palladio's architecture employed historical, mathematical and computational methods to analyse their complex proportional systems and rules. Andrea Palladio's Renaissance villas are amongst the most famous and widely studied examples of domestic architecture ever produced.
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